Presenting Miss Sacramento County: El Camino High School English teacher Ashley Newman

San Juan Unified School District teacher Ashley Newman, 24, was crowned Miss Sacramento County at the 62nd Annual Miss Sacramento County Program held on Saturday, Feb. 9 at the New San Juan High School Theater.

Newman is working on her teaching credential through California State University, Sacramento. She is a graduate of the University of California, Davis, where she received her Bachelor’s degree in communications with a triple minor in English, history and writing.

Ashley teaches English at El Camino and coaches two high school speech and debate teams in the Yuba-Sutter area. Ashley enjoys working with teens on an educational level, but is particularly passionate about mentoring these young adults. As a volunteer for Big Brothers Big Sisters and a strong advocate for teen mentoring programs, Ashley is currently helping to start a non-profit organization that deals with mentoring youth-at-risk.

“I think the judges chose her because she is such a joy to be around,” said program director April Smith.

“She radiates confidence and her resume is incredible.  She is currently teaching English at El Camino High School for the teaching credential program through Sac State, but she also mentors and teaches kids in juvenile hall.  She is also establishing her own non-profit program, Dream Builders: Empowering Youth.  She sets goals and accomplishes them and that really makes her amazing.  She is a young woman who you just know will achieve anything she sets out to do,” Smith said.

At a young age, Ashley was introduced to ventriloquism by a member of her church. After years of being fascinated by the talent, Ashley began practicing for hours in front of a mirror and began studying the routines of various famous ventriloquists.

Now, as a self-taught ventriloquist, Ashley enjoys entertaining audiences with her puppet, Granny Mildred. As Miss Sacramento County, Ashley is especially excited to perform ventriloquism when she visits the Children’s Miracle Network hospital of Sacramento.

Sac State’s Katrina Currie wins Hearst Award

The path to a college degree is never easy. For Sacramento State’s Katrina Currie, it was an especially rough road, but a road that has paid off in more ways than one – most recently with the honor of a William Randolph Hearst/CSU Trustees’ Award for Outstanding Achievement.
Currie is one of 23 students from California State University campuses to receive a $3,000 scholarship. All the students will be honored at the Tuesday, Sept. 18, meeting of the CSU Board of Trustees in Long Beach.
Abused at age 12, addicted to alcohol and drugs as a teen, and a runaway from home, Currie became a single mother at age 15 and again at age 17.
Then, one day at a park, her young son fell and broke his arm. Even though Currie was not there and her son was under the care of one of Currie’s relatives, the incident sparked a turnaround in her life.
“I finally realized I needed to focus more on my children and take a more active part in their lives,” she says.
She got her GED and then started college.
Her initial goal was an associate degree in nursing. But she kept going beyond that. She came to Sacramento State, twice winning the prestigious BEL Foundation Scholarship and earning a bachelor’s degree in gerontology. And she’s still going, coming back this fall in the master’s of education, curriculum and instruction program. Amid all this, there also has been an internship at the UC Davis Hospice Program, plus volunteer work at the Senior Safe House.
Eventually, Currie plans to become a consultant and educator to get care facilities to offer a person-centered care approach to those with dementia.
“If I would have seen myself becoming like this seven years ago, I would have said it was impossible,” Currie says.
Currie says no one ever encouraged her to go to college, and one of the best things about her new life is serving as a role model for her children. Her daughter, now 17, is already on her way and wants to become a special education teacher. “If I made it this far, they can,” Currie says.
For more information on the Hearst Scholarship, visit www.calstate.edu/foundation/hearst/. For media assistance, call Sacramento State’s Public Affairs office at (916) 278-6156.

Green, gold and entertaining

Sac State announces fall arts lineup

Fall is almost here, and things are falling into place for another season of entertaining and thought-provoking performances and exhibits at Sacramento State, courtesy of the University’s arts programs.
At the heart of the lineup is Sac State’s acclaimed Festival of New American Music. The November tradition is a 10-day series of free concerts featuring the best of new American music, an interpretation that presents contemporary classical or jazz components sharpened with a cutting edge.
From there, check out the other offerings in music, theater and dance, visual arts and design. There will be a special art exhibit focusing on water, a play that tells the story of a different kind of “Robin Hood,” modern dance concerts, lectures by prominent authors, and a display of rarely exhibited works from Sac State’s own art collection.
Autumn 2012 is just around the corner, and the actors, musicians, singers, artists, dancers, designers and photographers at Sac State are ready to make it a season you’ll enjoy.

Dance-Sites-2012Theatre and Dance
Faculty and guest choreographers come together to guide students through their first performance of the year in “Dance Sites 2012: Faculty Dance Concert.” This always-anticipated annual evening of dance on the University Theatre main stage presents a wide range of music and dance styles. Performances are Oct. 17-21.
Attention next turns to Playwrights’ Theatre, where new department Chair Melinda Wilson Ramey will direct “For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf.” A choreopoem by Ntozake Shange, the play weaves dance and poetry to express the struggles of different women in their search for God, peace, love and happiness. It runs Nov. 1-4 and Nov. 7-11.
It’s back to dance for “Dance House,” directed by Lorelei Bayne and Philip Flickinger, showcasing original works choreographed by students, alumni and community guests. Performances are in Solano Hall’s Dancespace, Nov. 14-18.
Finally, take a trip to Sherwood Forest for a different kind of “Robin Hood,” written by Don Nigro and directed by Professor Michelle Felten. In this version, the daring hero tries to keep wicked Prince John from building an arms manufactory, a slaughterhouse and a tennis court. Supported by a cast of vivid and wacky characters, this mixture of farce, physical comedy and bawdy humor is sure to tickle your funny bone. It runs Nov. 28-Dec. 2 and Dec. 5-9 in the University Theatre.
For more information on the season or the department, visit www.csus.edu/dram/ or call (916) 278-6368. For tickets, call the University Ticket Office at (916) 278-4323. For media assistance, call Sacramento State’s Public Affairs office at (916) 278-6156.

Music
The Festival of New American Music (FeNAM) runs Nov. 1-10 and features a lineup of artists guaranteed to please all fans of new American music. It starts with a keynote address by composer Augusta Read Thomas and features musicians Geoffrey Burleson, the Calliope Duo, the JACK Quartet, Third Coast Percussion and Allen Vizzutti as well as the festival’s “house band” Citywater, the Sac State Faculty Jazz Trio and the University’s Symphonic Wind Ensemble. Most of the concerts are in the Music Recital Hall and all of them are free. www.csus.edu/music/fenam/index.htm
The Music Department’s international reach will again be apparent with the return of the World Music Series. South Indian vocalist S. Sowmya begins the series at 7 p.m. Saturday, Nov. 17. She has received extensive training in Carnatic music, and established Carnatica, an institution dedicated to music and dance instruction. She will be followed by the Balinese gamelan group Gamelan Sekar Jaya at 3 p.m. Sunday, Dec. 2. The 60-member company of musicians and dancers plays various types of bronze or bamboo percussion instruments. They have performed throughout the United States and Bali. www.csus.edu/music/bravo/worldmusic.htm
The Piano Series is back starting with Sacramento State’s own Professor Richard Cionco at 7:30 p.m. Saturday, Sept. 29. Cionco performs frequently throughout the United States as well as Italy, Germany and China, and has performed in Denmark, Slovakia, Japan, Canada and many other countries. He celebrates 20 years on the Sac State faculty with a new CD of Beethoven’s later piano music. The semester’s second recital features Ju Ying Song at 7:30 p.m. Saturday, Oct. 20. Song earned her MM and DMA from Juilliard and is on the faculty of the New School for Music at Mannes College. Her awards include Pro Piano Artist of the Year, the Sudler Prize for outstanding achievement from Stanford University and the Petschek Award, Juilliard’s highest honor for a pianist. www.csus.edu/music/bravo/pianoseries.htm
Faculty recitals will be presented by saxophonist Keith Bohm with pianist John Cozza at 8 p.m. Wednesday, Sept. 12; and by harpsichordist Lorna Peters with violinist Jubal Fulks at 4 p.m. Friday, Sept. 21. Both recitals are in Capistrano Hall 151.
Sac State’s jazz groups have been recognized as some of the best in the nation. The Jazz Ensembles have been invited six times to the Monterey Next Generation Jazz Festival, and there will be two opportunities for people to find out just how good they are. The band will play at 8 p.m. Thursday, Oct. 25, and 8 p.m. Thursday, Dec. 6. The vocal jazz group, selected for several consecutive years as the best in the nation by Downbeat magazine, will perform at 7 p.m. Friday, Nov. 30.
Choral music at its best will be presented when the University Choirs perform at 8 p.m. Saturday, Nov. 3. They’ll gather again for the extremely popular Procession of Carols at 8 p.m. Saturday, Dec. 1, and 2 and 7 p.m. Sunday, Dec. 2. All performances are at Sacred Heart Church, 39th and J streets.
The Symphonic Wind Ensemble holds a concert at 7:30 p.m. Wednesday, Sept. 26, and the Concert Band performs at 7:30 p.m. Monday, Oct. 15. The two groups combine forces for a concert at 7:30 p.m. Wednesday, Nov. 28.
The Symphony Orchestra takes the stage at 8 p.m. Tuesday, Oct. 16 and Dec. 4. Camerata Capistrano, Sacramento State’s baroque ensemble, performs at 4 p.m. Sunday, Dec. 9.
The season concludes at 7 p.m. Monday, Dec. 10, with the always-charming free holiday concert by the String Project, local young violinists and cellists taught by Sac State music students.
Sac State music students contribute to the lineup throughout the year with free performances. The Mu Phi Epsilon music fraternity presents a recital of chamber and classical music at 7 p.m. Wednesday, Sept. 5; jazz combos perform in short sets at 3 p.m. Friday, Oct. 12, and Friday, Nov. 16; violin students of Professor Ian Swensen perform at 7 p.m. Friday, Oct. 26, in Capistrano 151; piano students of Professor Lorna Peters will present a recital at 7 p.m. Monday, Nov. 26; the Clarinet Choir holds a concert at 8 p.m. Tuesday, Nov. 27; saxophone ensembles perform at 8 p.m. Wednesday, Dec. 5 in Capistrano Hall 151; and student composers present their work at 4 p.m. Thursday, Dec. 6, in Capistrano Hall 151.
All concerts are in the Music Recital Hall except where noted.
For more information and details on ticket prices, visit www.csus.edu/music or call (916) 278-5191. For tickets, call the University Ticket Office at (916) 278-4323. For media assistance, call Sacramento State’s Public Affairs office at (916) 278-6156.

Fine Art and Design
Art Department instructors have ventured into the department’s vault of treasures and retrieved pieces collected over the last 60 years. “Lost & Found: Selections from Sac State’s Art Collection” will share those works with the public Aug. 28-Sept. 27 in Kadema Hall’s Else Gallery. Works include limited-edition lithographs by luminaries such as Pablo Picasso, Rufino Tamayo, Andy Warhol and Frank Stella, as well as ceramic sculpture, paintings, drawings and prints by regional masters and familiar Sac State names such as Robert Else, Ruth Rippon, Robert Arneson, Irving Marcus and Jack Ogden. A reception will be held 5-8 p.m. Thursday, Aug. 30, in the Kadema Hall breezeway. Professor Elaine O’Brien will lead a panel of former Art Department chairs in a discussion of the history of the collection, 6:30-8 p.m. Thursday, Sept. 13, in Mariposa Hall 1000.
In conjunction with “Lost & Found,” documentary filmmaker Laurence Campling will present a lecture illustrated with images and video clips from his current project, the Candy Story Gallery in Folsom. The talk will take place at 6:30 p.m. Thursday, Sept. 20, in Mariposa 1000.
The Else Gallery hosts “Water: Essence and Potential” from Nov. 5-Dec. 7, a special exhibit that serves as a tributary of Sac State’s One World Initiative, a program designed to engage the entire campus in discussion about global perspectives on water. Curated by Professor Pat Chirapravati, the show features works by Brenda Louie, Koo Kyung Sook, Meech Miyagi and Minh Tran.
Works by students and guest artists will be featured in Kadema Hall’s Witt Gallery throughout the semester. Else Gallery hours are noon-4:30 p.m. Monday-Thursday. Witt Gallery hours are noon-4:30 p.m. Monday-Friday. Call (916) 278-6166 or visit www.al.csus.edu/art/ for more information. For media assistance, call Sacramento State’s Public Affairs office at (916) 278-6156.
The University Library Gallery hosts “Balancing Act” to begin the fall semester. The exhibit of David Middlebrook works runs Sept. 6-Dec. 15 with a reception 5-8 p.m. Thursday, Sept. 6. Middlebrook’s work has its roots in ceramics and has evolved into site-specific sculptures of stone, marble and bronze. The Sac State show will feature a number of precariously balanced shapes.
Meanwhile, Americana art will be on display in “Artistry of the Traditional Quilt,” which begins Sept. 6 next door in the Library Gallery Annex and runs through Saturday, Oct. 20, with a reception 5-8 p.m. Friday, Sept. 7. A companion exhibit, “Piecing the Past Together: Nineteenth Century Quilts” runs Sept. 6-Dec. 20 in the Library Special Collections and University Archives. Pieces in both shows are from the collection of Carol Gebel, a former Sac State library services specialist and member of the American Quilt Study Group.
Library Gallery hours are 10 a.m.-5 p.m. Tuesday through Saturday. Hours for Special Collections and University Archives are 9 a.m.-4:30 p.m. Monday through Friday. For more information, call (916) 278-4189 or visit www.al.csus.edu/sota/ulg/. For media assistance, call the Public Affairs office at (916) 278-6156.
The Library Gallery is also the site of the Friends of the Library’s popular Author Lecture Series, which begins this year with Sacramento State’s own professor of contemporary art history, Elaine O’Brien. She will discuss her book Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms at 3 p.m. Wednesday, Oct. 3. The book is an anthology of essays and documents about modern art beyond the West.
“Sacramento’s Chinatown,” by Brian and Larry Tom, is the topic at 3 p.m. Thursday, Nov. 1. Sacramento has one of the oldest Chinatowns in America. The author brothers are third-generation Chinese Americans.
For more information, call Sally Hitchcock at (916) 278-5954.
Sacramento State invites everyone in the greater Sacramento region to visit the campus and experience the superior and affordable performances, exhibits and many other events presented by its students, faculty and guests.

Forum examines disaster and security preparedness

Representatives from Homeland Security, emergency response agencies, business and education will discuss policies and methods of disaster preparedness when Sacramento State hosts a special forum 7:30 a.m.-5:30 p.m. Thursday, Dec. 2.

Hosted by Emir Jose Macari, dean of the College of Engineering and Computer Sciences, “Disaster and Emergency Preparedness and Response Through Education, Training and Exercises,” will be held in Modoc and Napa halls by the University’s College of Continuing Education.

The forum is free. Advance registration is through Nov. 29. Walk-in admissions will be accepted the day of the event if there are vacancies. To register, visit www.cce.csus.edu/conferences/webreg/Register_ohs_cpf10.cfm?CID=774.

Breakout sessions and panel topics include corporate emergency management plans, corporate and employee intelligence in support of Homeland Security, community and statewide partnerships, and shaping Sacramento State’s emergency management program for business.

Speakers include Karen Baker, California’s secretary of Service and Volunteering, California Volunteers; Christy Quinlan, California’s interim chief information officer; Stephen Alexander, TechFlow Homeland Security Division; Farley Howell, from the Department of Homeland Security/Federal Emergency Management Agency; Rick Martinez, Sacramento City and County Office of Emergency Services; and Mike Dayton, undersecretary for the California Emergency Management Agency.

The day begins with registration and continental breakfast at 7:30 a.m. in Napa Hall 2001 and 2002 and concludes with a University reception at 4:30 p.m. in the Napa Hall lobby.

For more information on the forum, call the College of Continuing Education at (916) 278-4433 or visit www.cce.csus.edu/conferences/ohs/cpf10/agenda.htm.

Sacramento resident calls the shots as he sees them in the Pac-10

 
David Lambros has interesting weekends every fall – he officiates at Pac-10 football games as a referee. A retired police officer, he dons his zebra stripes, whistle and yellow flag and travels to the games. “I take it seriously. I try not to smile too much on the field,” he said with a grin. “It just wouldn’t do to see a ‘happy ref’ out there.” / Valley Community Newspapers photo, Susan Laird
David Lambros has interesting weekends every fall – he officiates at Pac-10 football games as a referee. A retired police officer, he dons his zebra stripes, whistle and yellow flag and travels to the games. “I take it seriously. I try not to smile too much on the field,” he said with a grin. “It just wouldn’t do to see a ‘happy ref’ out there.” / Valley Community Newspapers photo, Susan Laird

Most people have probably seen Land Park resident David Lambros without even being aware of it.

If you watch a lot of Pac-12 football on Saturdays or catch the evening sports news, you might just catch a glimpse of him.

He can easily be spotted because of his zebra stripes, whistle and yellow flag.

Lambros started officiating in the Pac-10 in 2001, but the life of this husband and father of two began his life as a referee with more humble roots.

After spending time in the Navy (and Vietnam), Lambros came back to northern California to go to school. He attended both American River College and Sac State and eventually became a deputy sheriff in Sacramento. In a throwback to his days as a football player in high school, Lambros participated in the first four Pig Bowls which annually pits cops vs. firemen.

In 1982, Lambros found a local high school association of officials, bought his books, paid his dues and started on his way to becoming a big time official.

“They train you in the classroom and on the field,” Lambros said. “It’s kind of like an apprenticeship. You don’t get paid at first but the instructors talk to you as the game progresses and critique you.”

He started out working high school and Pop Warner games to hone his craft. In 1986, he started working junior college games before moving on to what was then called Division I-AA and Division II college games in 1992. In 1995 he moved up the latter to the Western Athletic Conference (WAC) and to the Mountain West Conference in 1998.

But it was 2001 that Lambros called “a big year” for him.

He moved on to the Pac-10, one of the biggest stages in college football that year. He also began officiating in the Arena Football League, which he did for eight years. He went on to explain some of the ins and outs of officiating in the Pac-10.

Photo courtesy

Photo courtesy

“There are six Pac-10 crews,” he said. “My crew gets together in February to begin studying for the upcoming season.”

The crew meets twice per month until May, when they begin meeting weekly.

“At the end of July we have conferences and clinics and in August we work scrimmages.”

When it comes to calling games on Saturdays, Lambros still feels like it’s his first time out there.

“Every game I am at I get chills looking around at all the people,” he said. “It doesn’t matter which stadium I’m in.”

As far as his favorite venues in the Pac-10, Lambros is partial to The Rose Bowl in Pasadena, home of the UCLA Bruins. The craziest atmosphere, though, comes from up north.

“Autzen Stadium in Eugene, Oregon is the loudest stadium I have ever been in,” he said.

It was particularly loud when he officiated the Oregon Ducks and Oregon State Beavers at their annual “Civil War” game. The rival universities have played each other every year since 1894.

The travel for a referee can be draining, but Lambros said that it isn’t too bad, because the Pac-10 schools are somewhat close to each other. Outside of bowl season, he never has to travel further than Arizona or Washington.

His list of memorable games includes a 72–68 marathon of a bowl game on Christmas Day as well as the 43–42 Idaho victory over Bowling Green in last year’s Humanitarian Bowl.

In his years as an official, Lambros was blown away by the talents of one player in particular.

Lambros is a “back judge,” which means that he deals mostly with wide receivers and defensive backs. One of the players that stuck in his mind as truly great was former USC wide receiver Mike Williams.

He also said that during his time referreeing in the Mountain West that Brian Urlacher once made a play that even he couldn’t believe while he was at New Mexico.

And as for those penalty calls viewers get irritated by, the officials’ agenda is not as sinister as some make it out to be, according to Lambros.

“When a play goes off, I have no idea who the players are or sometimes even which team is which,” he said. “I’ll see that green pushed white, so the foul is on green. I have to try my best to remember what number the guy was.”

Oct. 23 was Lambros’ final day off of the season before traveling to call the Oregon-USC game on Oct. 30 in Los Angeles. So when you are watching a Pac-10 game on the television, watch for this veteran ref chasing after receivers and throwing his pesky yellow flag.

benn@valcomnews.com

Photo courtesy

Photo courtesy

Sac State piano series kicks off with Yu Kosuge

Yu Kosuge
Yu Kosuge
Sacramento State’s Piano Series kicks off with a performance by pianist Yu Kosuge on Saturday, Nov. 20.

She will perform works by Ludwig van Beethoven, Tōru Takemitsu and the complete “Études, Opus 10” by Frédéric Chopin.

The performance will begin at 7:30 p.m. Saturday, Nov. 20, in Capistrano Hall’s Music Recital Hall on the campus at 6000 J Street. Admission is $10 for students and seniors and $15 for general admission. Tickets are available at the University Ticket Office, (916) 278-4323 or www.tickets.com. For more information, call (916) 278-5155 or visit www.csus.edu/music.

FeNAM pays tribute to composer

SACRAMENTO – This year’s Festival of New American Music at Sacramento State begins with a Nov. 4 tribute to composer Arthur Jarvinen, who died Oct. 2. Jarvinen was to have been this year’s keynote speaker. Rand Steiger, professor of music at UC San Diego and a close friend of Jarvinen, will talk about Jarvinen’s life and work at noon in Capistrano Hall’s Music Recital Hall.

Later that day, at the 8 p.m. Gala Performance, one of Jarvinen’s works will be performed by violinist Andrew Tholl of TempWerks. Other performers that night include Earplay and Chris Froh, performing music by Yu-Hui Chang, Melissa Hui, Pablo Ortiz and Hans Thomalla. A full program of Jarvinen’s music will be performed by TempWerks at 8 p.m. Friday, Nov. 5. Both concerts are in the Music Recital Hall.

The festival, popularly known as FeNAM, runs Nov. 4-14, offering a series of free concerts, most of them on the Sacramento State campus. Other performers include the Ahn Trio, cellist Zoe Keating, clarinetist Jean Kopperud and the University’s own Jazz Ensemble, Jazz Singers and the Sacramento State Festival Ensemble.

New American music is loosely defined as any music written after 1980 by a composer of American citizenship. After that, the format is pretty open.

“The music can be written in any style,” Co-director Keith Bohm said. “Is there really just an American form of music? I would have to say ‘not really.’”

Festival Director Stephen Blumberg said he and Bohm have a good arrangement working together throughout the year. When it’s festival time, Bohm tends to look after the performers, while Blumberg shepherds the composers.

One of the highlights of this year’s FeNAM is the appearance of the Ahn Trio at 8 p.m., Nov. 8, in the Music Recital Hall.

“They’re definitely the hot group right now,” Bohm said. “Not only in the music world, but in fashion – they’re on Glamour magazine – and they’re going beyond just the music and art part of it.”

Blumberg adds that the harpsichord offerings are unique. “For new music, the harpsichord is not an instrument people think about,” he said.

This year Sacramento State alumna Faythe Vollrath will give a harpsichord recital in Capistrano Hall Room 151 at 3 p.m., Nov. 13, followed at 8 by a performance by harpsichordist Jory Vinikour.

“We have kind of a mini harpsichord festival within the larger festival,” Blumberg said.

The Guy A. West Memorial Bridge: Sacramento’s own ‘Golden Gate Bridge’

Just about everyone in Sacramento is familiar with the orange/gold-colored suspension bridge that gracefully spans across the American River, near Sacramento State University. But not everyone knows the name of this structure or why it received this name.
The Guy A. West Memorial Bridge spans the American River between Sacramento State University and the Campus Commons college community development. / Photo courtesy Sacramento State University

The Guy A. West Memorial Bridge spans the American River between Sacramento State University and the Campus Commons college community development. / Photo courtesy Sacramento State University

Built in 1966 to link the campus with the then-new, Campus Commons college-community development, the 1,144-foot-long, 16-foot-wide pedestrian bridge is officially known as the Guy A. West Memorial Bridge.

The name of the bridge, which was built at a cost of $636,000 and was recognized as the longest pedestrian suspension bridge in the United States, was selected in honor of the founding president of Sacramento State College, as the university was then known.

Born Guy Ashley West in Pine Bluff, Ark., West grew up in New Mexico, where he later graduated from New Mexico Western College.

He continued his education at the University of Colorado, where he received his master’s degree, followed

 

by the University of California, Berkeley, where he received his doctorate’s degree in educational psychology.

Although attempts to create a four-year college in Sacramento date back to the 1920s, it was not until the summer of 1947 that, through the efforts of California Sen. Earl Desmond, the state Legislature approved the establishment of such a school in the capital city.

In July 1947, shortly after Gov. Earl Warren approved the future creation of the university by signing SB 1221, West was appointed as Sacramento State’s first president. West’s position, however, was labeled as acting president until he was officially named the college’s president in July 1949.

West had previously served for 14 years as a faculty member and administrator at Chico State College – now California State University, Chico.

Under West’s leadership, Sacramento State began with the absence of a campus of its own, as the school officially opened in rented structures at Sacramento Junior College – today’s Sacramento City College – on Sept. 22, 1947.

The school held its first graduation on June 3, 1948, when one student graduated at a ceremony held on the junior college’s campus.

With West at its helm, Sacramento’s long-awaited, four-year college steadily advanced in its early years, as it continued to share a campus with the junior college, which had been established in 1916.

Dr. Guy A. West sits at his desk at Sacramento State College in 1958. / Photo courtesy of California State University, Sacramento Archives

Dr. Guy A. West sits at his desk at Sacramento State College in 1958. / Photo courtesy of California State University, Sacramento Archives

 After more than five years in its first location, Sacramento State relocated to its present site – a primitive version of today’s much more developed campus.

In celebration of the school’s first non-shared campus, a 150-car parade, which included a convertible with West and Warren as its passengers and a sign with the wording, “Go East with West,” made its way from downtown Sacramento to the then-new campus.

By the time the new campus opened in 1953, Sacramento State had grown from its initial 235 students to about 2,400 students. And with a 289-acre campus, the school had plenty more room for growth.

During West’s 18 years of leadership, Sacramento State expanded to include nearly 10,000 students.

As president, West encouraged students to utilize the college educational experience to help change the world.

In welcoming a then-record group of about 1,400 new students to the campus in 1957, West used Thomas Jefferson as a role model example in a speech, in which he encouraged students to strive for excellence.

Telling the incoming students that the world needed more people like Jefferson, West said, “(Jefferson was) a gentleman of 32, who could calculate an eclipse, survey an estate, tie an artery, plan an edifice, try a case, break a horse, dance a minuet and play the violin.”

And West was far from a man who only spoke words, but showed no action. To the contrary, he led by example, as is indicative of his college degrees, as well as the fact that during his life he was also a student of German, French and Latin, was nearly fluent in Spanish and studied psychology to assist him with his volunteer counseling.

West also served as president of the Western College Association, was a member of the commission on accreditation for teacher education of the state board of education and co-authored the book, “Twentieth Century American Education,” an evaluation of school trends at the time.

By the time West announced his retirement at the age of 66 on Feb. 26, 1965 before faculty members in the school’s Little Theater, he had spent 42 years as an educator.

As a show of appreciation, Sacramento State’s faculty and alumni associations and advisory board held a recognition dinner for West at the Hotel El Dorado – today’s Radisson Hotel at 500 Leisure Lane – on June 7, 1965.

The Guy A. West Memorial Bridge is shown under construction in this 1966 photograph. / Photo courtesy of California State University, Sacramento Archives

The Guy A. West Memorial Bridge is shown under construction in this 1966 photograph. / Photo courtesy of California State University, Sacramento Archives

But many people felt that West, for what he meant to Sacramento State’s development, was deserving of much more than a simple farewell dinner.

Because of this fact, it was determined that his name would be memorialized through the name of the nearby bridge, which with its 87-foot-tall twin towers and golden color resembles the Golden Gate Bridge, albeit a much smaller version.

The bridge, which extends across the river with about 600 feet of steel, was designed by the Spink Engineering Co. of Sacramento and was constructed by the longtime Sacramento business, A. Teichert and Son, Inc.

A special dedication of the bridge was held on Thursday, April 6, 1967 and was attended by West and his wife, Bernice, and representatives of the college, local government, the state Legislature, the Sacramento Chamber of Commerce and Campus Commons.

As part of the ceremony, which began at 12:30 p.m. and was aired on three local television stations, ownership of the bridge was transferred to the city of Sacramento.

Although West left Sacramento after his retirement to reside in Dallas, where he passed away at the age of 85 on July 12, 1983, his spirit never left the campus, which he so dearly loved.

Following West’s death, Austin Gerber, who served as Sacramento State’s interim president from April 1983 to July 1984, said, “The impact of the decisions (West) made are reflective today – near two decades after his retirement – in the excellence of the institution he helped bring into being. California State University, Sacramento stands as a monument to his vision and hopes.”

Despite making this statement 27 years ago, Gerber’s words, as many would agree, could have been just as truthfully spoken today as they were in 1983.

Even in the humble ways of West, who never liked the idea of his photograph hanging in the lobby of the administration building, with some decoding, he acknowledged a job well done at Sacramento State.

In speaking to about 350 faculty members in 1965, he uttered his now-famous, humorous words regarding his time at Sacramento State, saying, “I came, I saw, I was conquered.”

Julie Thomas, special collections and manuscripts librarian at Sacramento State’s Special Collections and University Archives, said that having such a grand memorial to West is very fitting.

“Guy West was kind of like the gold standard of college presidents,” Thomas said. “He started the college and he was able to finagle getting faculty and space. He was a mover and a shaker. He got us into this location and he set the bar high for all future presidents at Sac State. I don’t know if Sac State would be what it is today without Guy West as its first president. So, I think (the bridge) is a fitting tribute to him.”

lance@valcomnews.com

Sacramento resident Ed Rivera discusses his lifelong passion for art

 
Land Park resident Ed Rivera has had a lifelong love of art.
Land Park resident Ed Rivera has had a lifelong love of art.

At the lower right hand corner of a large mural that covers the majority of the exterior wall at the front of Sacramento State University’s Lassen Hall is the signature of artist, Ed Rivera. And although this work is his best known local art piece, it represents only a part of the story of this Sacramento artist.

Rivera, who is a Sacramento resident and a former Sacramento Police Department officer, has certainly drawn much attention for his mural on this university building, which houses the office of the university registrar, the academic advising and career center, a testing center and other services.

After all, the artwork was painted on the building as the resolution to a controversy, which received much widespread media coverage, including coverage in Mexico.

As the story goes, during a six-month period in 1970, Rivera, who is a native Sacramentan of Mexican descent, had painted a previous mural on panels that were placed on the front, exterior wall of the same building, which then housed the school’s library.

In a discussion with Valley Community Newspapers, Rivera, 67, recounted his memories of a dreadful time back in 1976, when he found out that the mural, which had been presented as a gift, had been removed from the building.

Ed Rivera Photo 02

Ed Rivera (top) interacts with a local poet during his time working on his original mural at Sacramento State University.

“Somebody came by and said, ‘Ed, you know your mural is not up there any more,’” recalled Rivera, who was a student at Sacramento State during the 1960s. “I said, ‘You’re kidding.’ I went down there (to the Sacramento State building) and it was stark white. They tore the panels down and called that a ‘beautification (project).’ We immediately went (to the school) and said, ‘Hey, you can’t do this. We gave this to the community and the state college as a figure of solidarity, peace and culture. What did you do here?’ And then the movement started with Joe Serna, (Rivera and others) and the community rose up and said, ‘You can’t do that.’”

Fate of ‘La Cultura’

The mural, which was named ‘La Cultura’ (‘The Culture’) and had been created as a tribute to Mexican culture, had taken months of negotiations and fundraising and the support of the Chicano community to become a reality.

But in just six years, the artwork was removed and disposed of, except for pieces of the mural, which Rivera said had been cut up and given a new life at the school.

“They made shelves out of (parts of) the panels,” Rivera said. “I saw my artwork on shelving in different parts of the college.”

The protest movement relating to the removal and destruction of the mural led to a September 1976 letter of apology from then-Sacramento State President James Bond.

Two months later, Henry Lopez, executive director of the Sacramento Chicano community organization, Concilio, wrote a letter to Bond demanding that the university finance a new mural, repay the $800 used in community donations that paid for the old mural, produce a public apology from the school and submit a written statement about the university’s policy regarding the mural.

Responding to Lopez’s letter on Feb. 9, 1977, Bond once again apologized for the removal of the mural and extended an offer to have a new mural paid for by the university.

Rivera said that Bond recommended that the mural be painted inside the building to protect it from the outside elements. But after visiting the building’s interior, Rivera rejected this recommendation.

Arrangements were eventually made for Rivera to repaint the mural in a different style on the front of the building. But this time, the mural was painted directly onto the wall.

 

Ed Rivera Photo 03

Ed Rivera’s mural on the exterior, front wall of Lassen Hall at Sacramento State University includes this image of the Aztec ruler, Montezuma.

The Rebirth of ’La Cultura’ 

On Oct. 30, 1978, a dedication ceremony at the building, which had been converted into the Student Services Center, was held in honor of the completed mural. The event, which celebrated “The Rebirth of the La Cultura,” included speakers, music, poetry and folk dancing.

The 96-foot-wide by 24-foot-tall mural, which depicts the Mexican community’s American Indian-Spanish heritage, features major symbols of the Mexican culture, including an image of the Aztec ruler, Montezuma, an eagle with a serpent in its beak, the Aztec calendar and an ear of corn.

The mural, which is painted with permanent, water-based acrylics, also includes a pair of frogs moving forward, which Rivera said represents the constantly moving forward and never looking back progression of the Mexican people.

A concise description of the mural is located just inside Lassen Hall.

In 1999, Rivera returned to the campus to provide a touch-up paint job to the then-fading mural and to place a protective finish over the work.

Protected art

Unlike the building’s original mural, today’s mural is protected, Rivera explained.

“That (current) mural, they cannot take it down for 50 years after I die,” Rivera said. “If they’re going to take it down, they have to notify the next of kin, which would be my son (John, who was named after Rivera’s favorite author, John Steinbeck). So, it’s there for a long time.”

Rivera added that even 50 years after his passing, negotiations could be made to preserve the mural and have it touched-up with some fresh paint by an assigned artist.

The Sacramento State mural is but one of Rivera’s murals that have appeared on public buildings.

Rivera also painted murals for the Washington Neighborhood Center at 400 16th St. and the Legal Aid Society at 920 9th St. in Sacramento and Boalt Hall at the University of California, Berkeley. Unfortunately for Rivera, not all of his murals exist today.

Diverting from the story of his murals, Rivera said that his love for art began at a very young age, as he watched his father, who was a pastry chef, decorate a cake with the image of an eagle.

Fascinated how his father could create something so artistic with his hands, Rivera gained an instant appreciation for art.

This appreciation led to Rivera’s study of art at Sacramento High School under the direction of art instructor, John Moore.

After attending Sacramento City College and Sacramento State, Rivera attended the prestigious San Francisco Art Institute for three years. And while at the art institute, he studied under renowned artists such as Richard Diebenkorn, Elmer Bishoff, Nathan Oliveira, James Weeks, Julius Hytofsky and Frank Lobdell.

Although he eventually became a police officer, serving in this position from 1967 to 1996, Rivera never lost his love for art.

To the contrary, this love grew, as Rivera continued to create art and gain recognition in the art world throughout his time with the police department.

Prolific artist

This painting is one of the many original works of Land Park artist, Ed Rivera.

This painting is one of the many original works of Land Park artist, Ed Rivera.

During his time as an artist, Rivera has created hundreds of paintings and although he has painted such art images as local architecture, landscapes and sailing scenes, the majority of his work features pre-Columbian, Aztec and Mayan images.

Explaining his deep connection to this form of art, Rivera said, “I really feel I’m part pre-Columbian, Aztec, Mayan culture.”

Additionally, Rivera, who participates in occasional art shows, but said that he otherwise advertises by “word of mouth” only, refers to himself as a “tool of what the Hispanic community is about.”

“I’m just a tool,” Rivera said. “I just happen to have the talent as a painter. I’m fortunate I can do this. I enjoy painting. It’s my life.”

Rivera, who credits his mentor, artist Benny Barrios, for showing him not just how to paint, but showing him the life of an artist and what it takes to be an artist, said that he is among a select group of artists.

“There are a few of us (artists), we just don’t live art, we breathe art,” Rivera said. “Everything is art. We don’t see things the way other people see them. We see things in an art view. We see things way, way differently. For me, art is like breathing. You have to breathe. You have to do art.”

Email Lance Armstrong at lance@valcomnews.com

Special community action: ‘Stand up to Falls’

A citywide campaign to keep local residents, especially seniors, safely on their feet moved to Sacramento’s south area this month with a four-hour “Stand Up to Falls” seminar at the South Land Park Community Center.

slip-Good muscle tone can help an individual respond quickly when he or she trips to head off an actual fall.
slip-Good muscle tone can help an individual respond quickly when he or she trips to head off an actual fall.
Thirty seniors, including me and wife Phoebe, were on hand along with just one other married couple—south area residents William and Penn Yee. The remaining 26 seminar participants were all women, creating a sex imbalance that seemed to defy normal odds.

“Is there any explanation for this 28 to 2 breakdown among women and men?” I asked Kim Metcalf, the city’s 50+ Wellness coordinator, and Kelly Ward, a certified fitness trainer and Sac State graduate student in gerontology, who handled most of the anti-fall exercise program, inspiring us to devote three hours to constant calisthenics. Both shook their heads and said they had no explanation for the attendance imbalance.

In my case, the danger from falling has long been a no-brainer. Five years ago, while strolling down on 24th Street after a Runaway Stage production of “The Music Man,” I tripped and fell on an uneven sidewalk. My left femur was broken and an earlier hip replacement was dislocated and had to be redone. I’ve never forgotten the advice of South Area Kaiser orthopedist James Sehr after all the harm was done and repaired: “Don’t Fall Again!” he admonished.

That’s easier said than done. I’ve fallen at least twice since the big thigh bone break of 2005, but lucked out both times with no further damage. It’s clear, however, that getting a free ride down when you have a fall can’t be counted upon forever. A show of hands in reply to Metcalf’s question about how many have fallen during the past year indicated a “yes” reply from about half the attendees. Audience members were not invited, however, to describe their own experiences involving falls. Coordinator Metcalf told the audience that the “Stand Up to Falls” program was devised by the city’s Older Adult Services division with support from Kaiser Permanente’s South Sacramento Community Benefit service. In addition to the South Land Park seminar, similar programs are being offered at five other sites around Sacramento and Elk Grove through March 6. So far, Metcalf added, the free programs have been filled to capacity and reservations to attend future dates must be made in advance by contacting her at 808-1593.

In contrast to my own concern with tripping and falling outdoors, Metcalf and Ward agreed that most falling accidents happen in the home. Bathrooms are viewed as especially vulnerable falling sites. Slippery, wet floors and glass shower doors are considered special hazards. Stairs inside and outside the home are other prime accident sites. Metcalf also advised the seniors to watch out for loose throw rugs and to steer clear of small pets that may run underfoot.

At one point, Metcalf introduced David Grantham, a project manager for Rebuilding Together, a non-profit service using volunteers who install safety improvements for low-income seniors without charge. Other seniors are charged a small fee, he added, if they can afford to pay. Offerings include grab bars, railings and banisters, stools where needed, fire alarms, safe electrical switches and other needs. Rebuilding Together can be contacted at 455-1880.

Most of the four-hour session was devoted to an exercise program led by Kelly Ward, who provided each participant with two elastic bands that were used to challenge muscles on various parts of the body, including arms, legs, neck and stomach. Good muscle tone, she said, can help an individual respond quickly when he or she trips to head off an actual fall. And if a fall does occur, she added, the victim needs to respond carefully to make certain there were no serious injuries.

“There’s no need to hurry,” she said. “Remain at first on the ground. Then roll over on to your stomach, and then pause before your use your hands to get back on your feet.”

She urged her audience to set up a daily exercise regimen, drink at least five glasses of waters, which she described as “like what oil is to a car” and then get plenty of rest. At the end, all hands were treated to a free and delicious picnic lunch provided by Hannibal’s Catering.

 

E-mail Art German at reporter@valcomnews.com.